ART 379: Art and Architecture of Europe |
WECHT Spring 2011 |
|
Yager |
SOME POTENTIAL RESEARCH SUBJECTS
The list below offers some possibilities for research projects. You should
feel free to revise any of these or use a subject completely of your own choosing.
These are simply some possibilities to spur your thinking. Yager's Yellow Pages
may also be a source for ideas, especially if you want to consider the possibility
of giving a presentation at the site of a particular work.
Bear in mind that for a brief paper or report you should choose a subject
sufficiently focused so that you can cover it in some depth. Subjects such
as "The Renaissance" or "Impressionism" are far too broad
for the project at hand. Also, remember that the focus of your research should
be on the visual arts. If, for example, you chose to present some aspect of
an artists work you should focus on the work and such things as its formal
qualities, its impact on the history of art or society, its innovative vision,
etc. Though you might include pertinent biographical information about the
artist in such a project you should avoid making it primarily a biography of
the artist. Remember that resources in English can be difficult to find
on the trip so you might consider taking them with you or doing the bulk of
your research before the trip begins. Projects should be approved by me
before you get too far into them. I will be happy to help you in defining your
project both before and during the trip.
- Raphael's Vatican Frescoes (or one of them)
- Neo-Platonic Symbolism in Michelangelo's Sistine Chapel Ceiling
- Light, Stillness, and the Camera Obscura in the Paintings of Jan Vermeer
- Symbolism in Vanitas Still Life Painting
- An Analysis of Artemisia Gentileschi's Five Paintings of "Judith and
Holofernes"
- The Expression of the 17th Century View of Humans and Nature in the Gardens
of Versailles
- Caravaggio's Influence on Dutch Baroque Painting
- The Representation of The Mother Goddess in Anatolian Prehistoric Sculpture
- A Comparative Analysis of Michelangelo's "David" and Donatello's
bronze "David"
- The Use of Linear and Atmospheric Perspective in Masaccio's Painting
- Hans Holbein the Younger's Portraits for the English Court of Henry VIII
- The Role of Women in the Paintings of Berthe Morisot (or Mary Cassatt)
- Fear and Anxiety in the Early Works of Edvard Munch
- Antoine Watteau and the Invention of the fêtes galantes
- Geometry and the Architecture of Filippo Brunelleschi
- The Influence of Photography on the Art of the 19th Century
- A Comparative Analysis of Giorgione's "Sleeping Venus", Titian's "Venus
of Urbino" and Manet's "Olympia"
- The Suleimaniye Mosque Complex and the Architecture of Sinan the Great
- Albrecht Dürer's "The Four Apostles" and the Protestant
Reformation in Nuremberg
- Peasant Life and Morality in the Paintings of Pieter Bruegel the Elder
- Diego Velázquez's "Las Meninas" (The Maids of Honor): A
Pictorial Puzzle
- The Landscape in 17th Century Netherlandish Painting
- Serial Narrative Structure in William Hogarth's "Marriage à la Mode"
- The Portraits Paintings of Élisabeth Louise Vigée-Lebrun
- Francisco Goya's "The Third of May, 1808" and Pablo Picasso's "Guernica" and
the Atrocities of War
- Claude Monet's "Rouen Cathedral" Series
- Auguste Rodin and the Tradition of Monumental Sculpture
- Akhenaton and the Amarna Period in Egyptian Art
- Kouros and Kore Figures in Greek Archaic Sculpture
- A Comparison of the Four Roman Painting Styles from Pompeii
- The Painting of Andrei Rublëv and the Byzantine Tradition in Russia
- The Great Mosque at Córdoba: The Pinnacle of Islamic Culture in Spain
- Mythology and History in the Sculpture of "The Altar of Zeus from
Pergamon"
- The Severe Style and the Dawn of the Classical Tradition in Greek Sculpture
- The Assemblage Sculpture of Robert Rauschenberg
last modified: April 22, 2011